Gristleizer

Throbbing Gristle is a quite influential Industrial band. Part of what makes their sound unique is the infamous Gristleizer, a distortion unit built by bandmember Chris Carter. It has a LFO with four waveforms which controls a VCF or a VCA. There have been numerous DIY clones and there is even a commercial re-issue available (for about 400 USD, which I find a little steep).

User Taylor from the electro-music.com forums (I love that forum. Honestly.) offered a PCB for a Gristleizer clone, and I ordered one.

It has all the original features PLUS an output for the LFO - which means the thing integrates rather nicely into my modular synth. The input / output jacks are located on the front panel for that very reason. The panel is aluminum, the case itself a mixture of sheet metal, plywood and loads of gaffa tape.

TR 505 XL

This is what happens when you give me a TR 505.
The 505 is a digital drummachine made by Roland. It has a nice, easy-to-use sequencer, a big display, full MIDI capabilities and some of the most boring sounds that you'll ever hear...
Time to mod it, I'd say!
It now sports single outputs (1/4") and trigger outs (1/8"). Especially the trigger outputs are quite handy for owners of a modular synth... the 505 will work as a MIDI-to-trigger converter too!
Also the sounds are now tunable - I added 8 new oscillators (this time 40106 based, unlike the 555 based ones on my TR 707) to accomplish this.
I also added volume controls, so now there are 16 new knobs on the front panel. The volume controls are doubling as a"crunch" control, which goes like this: the maximum volume is reached at the 12 o´clock position (and the potentiometers have a center detent to reflect this), turning the knob further to the right will overdrive the internal mixer stage a bit, resulting in a slightly distorted sound. This adds a nice punch and grit! Due to the way the mixer stage is designed this will only work on the main outputs.
Most of the necessary informationon how to do these mods can be had from the Burnkit2600 TR505 page, so thanks to those guys!
All that stuff did not fit into the stock enclosure, I had to make some side cheeks out of stained plywood in order to raise the height of the case by 3cm.

Check the sound sample below for a glimpse of what this machine sounds like. No FX, no overdubs, no EQ used - recorded straight from the master output.

x0xb0x, again

So here it is, my second x0xb0x. This one has been finished for ages, but only today it occured to me that pictures would be nice.
It is completely self sourced, which means that I did not buy a kit but aquired all parts separately. Likewise there is no official Adafruit serial number.

The frontpanel was made by Schaeffer Apparatebau in Berlin - this one has far too many modifications for the "stock" panel. The legend was made with Lazertran.



The mods are:
PWM for the square wave
Accent Sweep Speed selectable between fast, normal and slow
Accent Decay control
Filter Overdrive with "color" knob
Bass Boost, Resonance Boost (with separate pushbutton switch and LED indicator)
"Eternal Bliss" - this is a combined Gate On Forever / Envelope On Forever to get those liquid acid lines
Filter Modulation with selectable source (square, saw, VCA) and two modes (buffered / unbuffered)
Envelope Retrigger button
VCO out / Filter in on TRS socket
orange / amber 3mm LEDs
Sokk0s 1.9 operating system

STOMPIT - Dual FX Pedal Level Converter

Any seasoned Synthetisist knows that the voltage levels in your modular synths are much higher than the ones you'd feed into stompboxes. So, if you patch your VCO straight into, for example, your Boss FX pedal, you will get some nasty overdriving and clipping. Mind you, this distortion actually might be nice, but not desired at all times.

My good pal Waktu Loopa asked me if I'd be able to help him getting his levels right. My solution is the device pictured below: a dual FX pedal level converter. It's made to fit in his Doepfer A-100 modular system and should work nicely with his collection of stompboxes from Orion Effekte. (I tested it with the Benjamuff PI featured in my previous post.)
I designed the PCB and the frontpanel myself whilst the circuit is inspired by the invaluable genius that is Ken Stone.
The keen eye might wonder why there are some odd componends on the circuit board, most notably the HUGE 2W resistors. Easy: I am a sexy Recyclotron and so I used what I had on hand. That sometimes means that I pull components from junk electronics (always remember: recycle or die)
Because I am such a nice guy I wrote him a manual as well (he's stupid and I had a lazy sunday evening to waste). Now all that is left is to do is to actually send him the thing. As much as I hate to part with the module -I am sure it'll be in good hands.

Stompbox!

My good friend Benni turned 30 the other day.
Since he is an avid guitar player (and the other half of our Hardcore Electro Country Band Dezombiefied) I just had to give him something relating to that.
So here it is, the BENJAMUFF PI.
Check the Big Muff Museum if you still dont get it...

Cases

A friend built some electronics, and I supplied the cases.

Elrad Music Processor

One day some three years ago my friend Fokko gave me a strange and rusty black box with some knobs and jacks that his dad had found in the trash. They thought that since I am somewhat interested in electronics I might have some use for it. Boy, they were right.
Upon closer examination it turned out to be a Flanger/Phaser published in the 6/82 issue of Elrad, a german electronics magazine. (I found out because the name "Elrad Music Processor" was etched on the copper side of the PCB. Yes, that was easy.)
It features DT, ADT (double tracking, automatic double tracking), Flanger and Phaser modes with different timebases, variable speed and amount. It is triggered either with a footswitch or the button on the front panel. And oh yes, it is monaural.
The pots were totally scratchy, someone had made some modifications to it (including a crude guitar preamp of sorts) and it wasnt working that well.
I decided to restore it to the point where it would be useful to me. Some fellow from the SDIY mailinglist kindly send me a printout of the original Elrad article, but it was not that readable... especially the schematics and the component overlay for the PCB foil. Therefore, I put the whole shebang away.

Time passed, legend tells that I left the country.

Fast forward: about a month ago I re-found the flanger. I knew that the whole Elrad backissues are available on DVD, so I decided to invest 20 Euros and ordered it. Three days later I had perfectly readable schematics of the unit. With those it took about an hour (!) to get a working unit. Then I quickly (within 3 days or so... paint and glue take their time) built a 19" case out of some plywood, sheet metal (used to be a case for a CD player) and a 19" blanking panel that I veneered and stained orange.
I am quite happy with the result. The unit sounds nice, looks good and, strictly speaking, didnt cost me a cent since I had everything needed in the restauration process in my parts bin anyway. I currently use it as an insert in my mixing console.

Roland TR 606 - modded

Oh I wish I still had this one!
This is a Roland TR 606 drum machine with an external breakout box. The box features the following controls: Bassdrum PITCH, DECAY and TONE, Snare PITCH, DECAY and TONE, Tom PUNCH (switch) and individual TUNE controls, Noise LEVEL and Hihat FILTER. On its back are individual outputs for the instruments.

There is actually a small PCB with a completely redesigned Bassdrum circuit inside the breakout box. I still have the layout somewhere - I should probably dig it up and make it available to the DIY-community or the nice folks at the electro-music.com forums. I am toying with the idea of building my own drum machine, based on Marko Kanala's MR9090-Sequencer and an assortment of analog drum voices. The modded 606 BD would be a perfect fit.

I loved the 606's simplicity and ease-of-use and it's punchy analog sound. This is a poor mans 808! It is a bit of a shame that the photos are so blurry...
A great little box - sold on Ebay lightyears ago.

Cruiser Bike 1

My first cruiser bike. I bought it in 1997 (with the first money our government paid me for doing civil service) and a year later I started working on the frame. There is a modelled "tank" on the front end of the bike and some more modifications near the rear axle. They were made out of a Styrodur core and glassfiber + epoxy resin.
I added some parts (twin headlight, 3-speed Sturmey& Archer gearbox, leather saddle, mirror and speedometer) and gave it a two-color paintjob.
I have to admit that I underestimated the work and especially the required sanding involved in the frame modifications, so I got bored and put it aside, working on it for maybe 1 hour every 4 months. At one point the project had to rest for 3 years- when I got back to it the whole frame was rusted and had to be sanded again; God knows why I opted for stripping the whole frame of its original paint instead of just putting a new layer of primer + paint on it.
This is by far the longest running project I ever did - 5 years (!!!) which is ridiculous considering how long it would take me nowadays to finish something similar. It was a good learning experience though, especially to figure out how to not do things...

Hercules BW 125

My German Army motorcycle, a Hercules BW 125 V1 from 1971. I restored the engine, de-rusted the frame and all metal parts (and there is next to no plastic on this thing!) and gave the bike a new paintjob (using the authentic shade of olive).
I coated the tank on the inside with "Kreem White" to prevent it from rusting. Having rust particles in your carburetor simply sucks ass.
Of course, with a bike this old there were so many things that had to be done that I simply cannot list here.
It is a fun bike that turns heads wherever I take it - you gotta love the oldschool fork and overall "dirty little bastard" style of it. Oh, and it has a nice, loud, screaming two-stroke sound. There are different opinions about the reliability of this bike - but it has never let me down in a serious way. I wouldn't go for a ride without tools and a spare plug, of course.